Some attribute the perceived learning curve of VRay to anoverwhelming abundance of knobs, levers, check-boxes, and sliders. They’ll make decisions faster, be on their way sooner, andleaver you to do what you really love about architecture.the architecture! 4 | A wealth of options.įorthose who wish to venture into the bowels of VRay’s more difficult to manoeuvrecapabilities, you’ll find the rabbit hole goes deeper than most visualizationplug-ins. You’ll no longer find yourself in marathon clientmeetings trying to explain how certain finishes will look on certain surfaces.You’ll show them. You’ll neverdesign around a material you won’t be able to render with life-like precision.īeingable to mock up finish combinations on the fly takes interior architecture anddesign to the next level. Themassive material library out of the box sets VRay above the rest. Get it wrong, and allthat work is cast aside in vein: ruined by an ill-conceived palate of finishmaterials and shoddy details. The fit and finish represents the final touches on the labourof love poured into realizing a piece of architecture. It’s not a crutch that should be leaned on, but a tool that canelevate your work from good to WOW! 3 | Extensive Material Library and resources.Īnarchitect’s library of materials and finishes is almost as important as hisskills as a designer. Client meetings once held to iron outconceptual program issues can use real-life visualization with VRay in yourback pocket. Those ‘sketchy’ ideas can just as quickly bebrought to life with the use of VRay.
While not the most technically refined or sophisticated pieceof modeling software, Sketchup presents a fast and easy set of tools that canquickly get ideas on the page. This isn’t always the casewith competing renderers.įorarchitects, the integration with Google SketchUp is perhaps the most usevaluable feature. After all, VRay is a plug-in, so itwould make sense that the success of that plug-in hinging on its integrationwith a variety of potentially compatible software. No matter your cup of tea or flavour ofDoritos, VRay will be your huckleberry. While VRay may be a trickyprogram to fully master, there’s no denying its ease of integration with avariety of 3D modeling programs. 2 | It works seamlessly with Rhino, 3DS Max,SketchUp.Īnd Imean seamlessly. If you’re on a tightdeadline - and I know you are - you’re going to want to be using something fastthat doesn’t sacrifice quality.
Sure, all rendering software allows you to createdraft images, but none operate as quickly as VRay.
VRaywill pump out a series of low-quality images that will give you a feel formaterial, colour and light so that quick decisions can be made regardingcomposition and framing. All joking aside, though, it’simportant to have a visualization tool that will let you quickly see ifsomething is going to work before fully committing to a lengthy presentationquality rendering. It’s great for architects becauseeveryone knows how precious their time is. This means quickerrender times, animations, drafts, etc. Isuppose fast being relative to your machine, render settings, and overall sizeof the model you are attempting to render, but when compared to thecompetitors, VRay is consistently faster than the rest. Here are10 advantages for using VRay for architectural rendering.
Not onlythat, there are plenty of other reasons to choose VRay over the rest. While Ican’t guarantee more sleep and less all-nighters, I can tell you VRay will havethose board-formed concrete walls looking better than they ever have.
Architects, inparticular, will find a lot to like about VRay (I’ll get to that in a minute).There are dozens of rendering plug-ins out there, and finding the one thatworks best for you can be an exercise in patience, trial and error andmaddening late nights trying to get your bump-mapped board-formed concretewalls not look like ass before your early morning client meeting. It’s the engine behind turning out believable realizations ofyour designs no matter the 3D modeling software you prefer.
The toolswe use to garner that bugged-eyed, jaw dropped ‘wow’ factor response - and alsoshow we are the professional worthy of being hired - are vital to our success. They need handholding, dumbing down, and most-importantly, they need to be blown away.
The first and most important thing anyone in the design industrymust understand is that clients don’t think like you do. Ishould rephrase that: architects, designers and artists are unemployed if they can’t communicatetheir ideas. Architects,designers and artists are nothing if they can’t communicate their ideas.